Visual Art Research Profiles

Gary Anderson

PhD – Visual Art

Minimal Performative Objects
Rosalind Atkins

PhD – Visual Art

The Role of the Visual Arts in Defining the Place of the tree in Contemporary Culture
Georgia Banks

Master of Fine Art –Visual Art

The Tensile: Experience, Memory and Reenactment in Body and Performance
Corinna Berndt

Master of Fine Arts ‒ Visual Art

The Interdisciplinary Performing Body
Madeline Bishop

MFA ‒ Visual Art

The In Between: Representing female identity within shared spaces and experiences
Nadja Bon Mott

PhD – Visual Art

Exploring the links between women's bodies as expressed in the genre of performance art and empowerment.
Chris Bond

Master of Fine Art –Visual Art

Fictional Play: A generative methodology
Tara Cook

PhD – Visual Art

The Compressed Image
Martina Copley

PhD – Visual Art

Does the aside function as a generative figure and methodological strategy in contemporary practice?
Soren Dahlgaard

PhD – Visual Art

Art as a Tool for Environmental Regeneration
Sean Dockray

PhD – Visual Art

Forms of Thought: The Essay after the Internet
Jaye Early

PhD – Visual Art

Private Experiences in Public spaces: The role of confessional art that utlises video/performance in self-affirmation/actualisation.
Craig Easton

PhD – Visual Art

A Strange Arrangement: Constructing Contemporary Reductive Abstract Painting Through The Ancient Chinese Garden
Jacqueline Felstead

PhD Visual Art

Reciprocity in Hybrid Photographic/Sculptural Art Practice
Terrie Fraser

PhD – VCA

The Nature of the Studio: An artist’s method of inquiry. A Mixed Methods Study Investigating the Artists' Studio Space for Teaching and Learning Practices at the Victorian College of the Arts, The University of Melbourne
Imogen Hall

Master of Fine Arts ‒ Visual Art

Immemorial
Christina Hayes

Master of Fine Art –Visual Art

Staging the Imaginary Portrait: The Theatre of Painting
Siri Hayes

Master of Fine Arts ‒ Visual Art

The Grafted Photograph
Leanne Hermosilla

PhD – Visual Art

"Alterepistemologies"
Nickk Hertzog

PhD – Visual Art

Wandering: Non rational frameworks in contemporary cultural production
Mark Hoffman

Master of Fine Art –Visual Art

The Sensible Voice: An exploration of the relationship between private and public voices in the field of performative art making.
Katherine Lee

PhD – Visual Art

Structure and Experience: How Different Modes of Knowledge Contribute to the Making and Perception of Spatial and Temporal Arts
Kerry Leonard

Master of Fine Art –Visual Art

What the Hand Knows?
Aaron Martin

Master of Fine Arts ‒ Visual Art

Modern Ruins and the failure of the mechanical in a digital age
Kristin McIver

Master of Fine Art – Visual Art

This is your life: the standardisation of identity in the age of social media
Catarina Mil-Homens D’Almeida

Master of Fine Art –Visual Art

Matter and Spirit: A Symbiosis of Drawing and Installation
Diane Mossenson

PhD – VCA

The History of Indigenart, Mossenson Galleries.
Dan Mossenson

PhD – VCA

Art Fraud.
Yuria Okamura

Master of Fine Art –Visual Art

Thought Diagram: An analysis of cosmology and subjectivity through geometric symbols
Akihiro Okumura

MFA - Visual Art

Reconstructing interpretations within photography in the digital era
Joey Soh Pei Ling

Master of Fine Art – Visual Art

Formalism in Comprehending Aesthetics of Decay in Everyday Lives.
Caroline Phillips

PhD – Visual Art

Hanging in There: Modalities of the Interval in Feminist Art
Guillaume Savy

Master of Fine Art – Visual Art

A Vyrcanian story: materialising alternate geographies
Julian Smith

Master of Fine Art – Visual Art

Asking for trouble: collaboration and constraint as a generative method.
Andrew Treloar

Master of Fine Art – Visual Art

Preconditioning: subjectification as a process of mobility
Nick Waddell

Master of Fine Art –Visual Art

Second Petrification
Kellie-Anne Wells

Master of Fine Arts ‒ Visual Art

New Creator Models of the Modern Renaissance
Jennifer Wilson

PhD - VCA

Artists in the University: Responses to the inclusion of practice-led artistic research within the Australian university sector
Elmedin Zunic

PhD – Visual Art

Work of art as an aesthetic imitation process or an original act?